After the summer at the Hampton Playhouse, returning home was not an option. My father made that clear.

“I do not believe, should you be thinking of living at home, that such an arrangement would work. It was tried last year and it was miserable for all. You have been on your own too long to return excepting for short periods. I think you are a big boy now and it is time for you to take on most of the responsibilities.”

So that put an end to any thoughts that I had about returning to the nest. I was a bird on my own, learning to fly, for the first time.

I’m sure it was not an easy decision for my father to let go, for I know how much he loved me and enjoyed my company and did everything he could to help me. But it was the best decision for both of us.  I needed to learn independence which couldn’t be taught in a classroom.

So I moved to Staten Island where I roomed with a writer/poet named Eugene Ring.  I met Eugene through my friend Nils, whom I met in Japan when I was a foreign exchange student. Nils was from Staten Island and when he heard I was looking for a place to live, he introduced me to Eugene, who lived in an apartment complex right down the road.  For two years, I would live in Staten Island, continuing to pursue and study acting while working as a waiter in NYC, amongst other jobs. My father would later write:

 "A father sees the boy too long and therefore presumes always that person will remain a boy. Life doesn’t work that way; a day comes when each must face the other as men – equals and independent. Although a transition period is there, such transition from boyhood to manhood if recognized is abrupt, neither realizing that a period of time has been passing."

Certainly a period of time had been passing and I was making baby steps towards manhood. Going to college, becoming a foreign exchange student, having experiences like summer theatre, and then finally living on my own, all of that gave me opportunities to explore the different facets of myself.

But I’m not sure that manhood is one of those points in time in which you can say “I’ve arrived.” What does one know of manhood when one has yet to experience all of the other trials and tribulations of life such as getting married, having children, buying a first home, being drafted to war, and watching loved one’s die. Some of us seem to have “manhood” thrust upon us earlier in life, shaped by greater responsibilities or hardship or tragedy or any number of other elements that come into the mix to turn our lives upside down. Some of us seem to take on those responsibilities as if they were always designed to be men. At the time I don’t believe I had reached manhood, but I was becoming independent.

With independence, I had creative license, which abounded in my journal, where I wrote regularly, as it became a great source of pride, particularly during this time when I felt I was making breakthroughs in style and voice. My journal entries took on new form, with each entry a short, poetic story.

Unlike the first journal I kept when I was in Japan, which was more or less a daily accounting of events, this journal would be different. I write, “I’ve tried to avoid the routine of recording daily events as often is style of the Diary, and in the past few months I’ve tried to express myself differently. I feel expression so much linked to truth that I can’t abandon the need to fulfill myself through it.  Thus writing, art, creativity, ect has been inclining in my life.”

I also started a comedy box, where I recorded humorous ideas because I was contemplating doing stand-up comedy. I write: “I can be funny is on my mind today. I’m glad I’ve kept my comedy box, but for the most part I haven’t entered any stories of comic value for about the past year. Since then my interests have gone from comedy to singing to writing comic songs.” Doodling funny ideas on paper was not the same as writing comic monologues, which I had a chance to do later in life and perform in NYC comedy clubs for a very short period of time.

Writing stories was another avenue I explored, as I wrote several stories based on some personal experiences, which I would later submit to NYC literary agents. Writing short stories, however, didn’t sustain my interest completely, as it was only one vehicle of self-expression and at the time, limiting. Writing in the 3rd person, I express this frustration. “The fact is that he wished that he could concoct stories to please all but the truth was that he could only come up with empty realism that he saw before him every day.” Although it may have appeared that I was afraid to take that imaginative leap into the realm of fiction, I think I was even more afraid of commitment to a path that would be too narrow.

The fact was that I had a hard time placing myself anywhere. The creative arts were really exploding inside of me and I wanted a piece of it all, which was expressed in another journal entry. “I like to challenge myself by constantly taking on new things. I really ought to have more of a singularity of purpose – but my challenge has always been to uncover the generalities of many subjects than the details of one in general.” I admired Ben Franklin and other renaissance men whom over the course of a lifetime had accomplished many things. Would I strike out to become such a man?

Hampton Playhouse proved to be very formative. If Hampton gave me a love for anything, it was music. Growing up, I had no exposure to musical theatre whatsoever besides those familiar standards sung by Sinatra and other crooners my parents enjoyed listening to – so being exposed to shows like  42nd street, and composers such as George Gershwin and Irving Berlin opened my mind to new musical possibilities.

When living in Staten Island, I frequently took the Staten Island Ferry to Battery Park, where I’d catch a #1 train to Lincoln Center. There they had a great library in which you could borrow music scores and thus began my journey learning about great composers. George and Ira Gershwin were my favorites and I learned as many tunes from them as I could like "Someone to Watch over Me," "A Foggy Day in London Town" and "Nice Work If You Can Get It." These songs were committed to memory and others from the great American Songbook, which I sang every day traveling that ferry boat to the city until they were in my blood. I was a bit of a romantic walking the streets of the city, singing songs of love.

Although my intent was to become an actor, I was picking up all kinds of new things living in close proximity to NYC. Outside of taking acting classes, I enrolled at the New School of Music in the West Village and started learning how to play the guitar. I studied guitar for a year, learning some of my favorite popular music, much of which was from the 70’s. Before I knew it I was playing and singing on my own. This would become a great source of self-satisfaction, filling many hours while I was biding my time waiting for a big break, some point in that distant future when my dreams would all come true.

With this acquired interest in music, I was planting other seeds. Singing and composition. Those seeds would not come to fruition for a few more years, but they were growing inside me nonetheless.

Dad’s letters came steadily, almost weekly. They could be counted on like his phone calls could be counted on every Sunday, encouraging me to pursue my own path as I was expressing impatience over not becoming more successful, sooner. A few thoughts from my journal capture that restless spirit.

“How patient we must be while having to prepare madly for our future careers. I haven’t had too many successes of late. No exciting stories to take up these pages. I always feel more successful when I have one-even if it is about the greatest failure….These days not much to do but prepare. When you’re young it seems as if that is all one ever does.”

Despite all of my activity, I still had an instinctual feeling that I was a writer, gaining greater confidence through journal writing, letters to my father, and new experiences about which I could write. One of my journal entries captures this self-revelation yet with underlying ambivalence. “Deep down I think I’m a writer and everything else is just distractions. But I have still been unable to reconcile that motivation with that of becoming an actor.  Maybe if I could write with people around me-kinda of like a performance – I could reconcile the two and be what I always wanted to be – something undefinable.”

Looking back at that time I don’t think I could be completely satisfied with where I was. I was looking for something over a rainbow, way up high, expecting to reach an unreachable goal as if pulling clouds from the sky and trying to hold them in my hand. There was nothing that existed that could satisfy my burning desire, nothing tangible that could be grasped to indicate that somehow I had arrived.

The same impossible dream that Don Quixote may have been smitten with.

If I knew my life would be a song, so perfect and so sweet, and would come to a poignant end, how much more secure I would have been resting in the bosom of that eternity. But there were no guarantees of such a heaven.

Manhood would require me to take another view and thus I had a lot more growing up to do. My father held my hand and continued to show me the way.

The steps we take and those words we speak may indeed come true. But they are songs for tomorrow for there are other songs that must be played today.

I’m not exactly sure what emboldened me to become an actor. Or at least make an attempt at it. Maybe it was that gambler’s streak on my father’s side of the family. As I said, my Uncle Frank, who was actually my father’s uncle, was a bookie for many years and a professional card player.  Several of Uncle Frank’s brother’s were gamblers as well. Over the years we got to hear some of those stories such as Uncle Pete’s Ha, Ha club in NYC, during the 50’s, where Burt Lancaster came and many bets were placed on ball games, or Uncle Bennie who owned Top of the Mast down the Jersey shore, or Uncle Jimmy, who was always borrowing money from Uncle Frank to cover his losses. These were my father’s uncles. His Dad, also named John, was a straight laced businessman who would have nothing to do with gambling.

My gamble was a different kind of gamble. I believed I was investing in myself and thus when I determined to become an actor, I wanted to be prepared as much as possible, taking an acting class at Michigan and getting in my first play, going to summer school at the Academy of Dramatic Arts, doing an internship at the American Stage Company in Teaneck, NJ, where I was also studying scene study, and finally getting a summer internship in summer stock theatre. By any measure, these were just the starting points for pursuing a career in acting. But when you are young, you expect that the world will open its doors to you and that you will step through into the room of success, immediately. Like most actors, I was waiting for that big break, expecting that it could come at anytime.

It was during that summer at the Hampton Playhouse in Hampton, New Hampshire, that I received another batch of Dad’s letters. About one a week over an 8 week period. That season he was occupied with horseracing, as he had never been before, because a couple of his doctor friends persuaded him to become a part owner in a horse that would turn-out to do phenomenally well on the horse trotting circuit. They were winning races and thus taking home the winning purses. And they were spending a pretty penny to keep up an extravagant horse racing lifestyle.

In one of those letters Dad touched on it:

Few horses ever win let alone get to the great races. It’s been a thrill due to pure luck. He has won over $200,000. We paid $77,000. We have been paid back $70,000 and if he wins another race or two we should make a few dollars. Vet bills, training and entrance fees ate up the rest. Few in horse racing make a lot of money and as soon as we make a profit Uncle Sam will get 38%. But has it been fun! Most horse owners are rich to begin with but few can buy their way into the “Hambo.” (Dad was referring to the Hambletonian, the Kentucky Derby of the Trotta Racing World).

When we were growing up, Dad enjoyed the horse races on a much smaller scale, taking our family to Belmont where we’d sit in one of the par chairs and enjoy an afternoon watching horses run, placing small bets and having a nice lunch. To me, it seemed very civilized. Because Dad was a doctor, he had some special privileges and entitlements, which I always admired, realizing not only is there a price to be paid for becoming a doctor, but that there are “perks” as well. Once I became a successful actor, I too would be afforded similar opportunities, I thought to myself. The sky was the limit when you made it as an actor.

I really enjoyed those trips to the horse races, as the idea of placing a two dollar bet on a horse and winning really appealed to my sense of adventure. It also exercised my mind as I would pour over the horse racing notes, studying each horse’s profile before I placed my bet. There was more to betting than just throwing your dime down like you might on a lottery ticket. Horse racing was a game of strategy. My Uncle Frank was a poker player and that too was a game of strategy in which he fared well because he knew the game better than most. Gambler’s could be winners if they knew what they were doing. Aspiring actor’s could make it to the top of their game if they properly calculated a path to success. Smart strategy was the name of the game and my strategy was to get experience and pay my dues on my way to the top.

My summer at Hampton was an internship, mostly in which I had opportunities to act in some children’s theatre like the Adventures of Tom Sawyer, playing the role of Judge Thatcher, or doing some background work in one of the main stage musicals, like 42nd Street and My One and Only, where I had a bit part as a photographer. I was not a musical theatre guy, not having training or confidence in singing and dancing, and so most of the roles in the theatre productions did not avail themselves to me.  Like most interns, I worked on props management, set building, working the spotlight during show time and parking cars prior to the curtain’s opening. Hampton Playhouse was about a mile or so down the road from the beach, where I would routinely go to workout, jog and bring my journal and write. Frequent parties amongst the cast and interns also made summer stock a most enjoyable and memorable experience. I even met a girl who lived there for the summer and we had a romance for a couple of weeks.

Another letter from my father came around this time, expressing concern about my future.

Dear George.

It was good to get your letter and I’m glad the summer has turned out well for you. I’m concerned about your future. I won’t discourage you. I believe you are obligated to determine your own fate, just as you should be the one to reap its rewards or take the honest blame should it fail….Unfortunately, the career you have chosen is not only uncertain, it is painfully associated with chronic financial discomfort. But such is the lot of every true artist. Most of the time there is great alienation from family as few parents bestow their blessings toward such an uncertain endeavor. You have my blessing but I worry.

I’m sure you agonize daily, weigh all the minutiae over your progress, ability and commitment. I have no advice to give and no one has more faith in you than me. I want you to be happy but certainly cannot be a cause of it for very long.

Somehow, like all of us, you are as much a product of your times as your genetic make-up. Some unknown force propels you to the most difficult of tasks. I guess you will be up for it when the time comes, but like the rest of us you too may not be another “Amadeus.” George, when you are close to being broke (I’ve been there like most), you begin to panic or think less clearly. You deserve a chance to get to your goal. Enclosed is a check which should take some of the pressure off. It’s not a legacy; it’s what I can afford.

With every letter that Dad sent that summer, there was a check in the envelope to help me get through that summer. Dad’s checks always took the financial burden off. But I wonder if it would have made me hungrier for earning my own success if those checks never arrived and I had to earn it on my own?

Biloxi Blues was the last play of the season and it was my great hope that I would be cast in it. After seeing it on Broadway starring Mathew Broderick I decided at that point I was going to become an actor. To get cast in the play, one of the few straight plays in Hampton’s repertoire, would mean a lot to me. Unfortunately after trying out, I was not cast and recall being very discouraged, as I had not made the cut while a couple of my intern buddies made it into the show. I took it personally, as if the executive directors at the Playhouse simply overlooked my talent.

I must have expressed to my father my desire to continue studying acting after this setback. My father responded, who was now exuberant over Crown’s Best, who had just won a big race in Saratoga, breaking a track record and was headed to the Hambletonian.

He wrote:

Only a handful of horses have ever run this fast, making him much more valuable and a possibility to be selected for a stud at the end of this year. We seem to have a horse! It is exciting to win a long shot, and George you are part of a similar horse race. It is a gamble whether you will come out on top and the process of becoming is long and the stakes in both cases very high and higher in your case because it becomes an all or nothing, your whole career at stake. You don’t win a long shot without making a bet.

We learned some things with the horse. He needed a good trainer. Who trains you? You seem to be getting exposure, then you mention “connections.” I guess you need to make them, but how? Graduate School? Dad is down on schools but Dad has been wrong too often. Just seems like such a waste for “connections.”

At this point I was intent on studying acting further, desiring a secure place where I could safely pursue acting without the fear of failing. More time, either in graduate school, or acting school might be that secure haven and so I was committed on embarking on a more formal education to get me to my goal. That strategy seemed to work for my father, when he embarked on a road to medical school. That same road could work for me too. I would get training and become skilled as an actor.

Looking back, my father seemed to be right. Should I have listened? But then again, I was responsible for my own destiny. In one of the letters that summer my father included a newspaper clipping about one of my best friends in elementary school, whose marriage to his high school sweetheart was announced in the local paper, with a mention of their distinguished honors in college, graduates of such and such school, with bright prospects for their future together, as they would reside in NYC and were certainly headed toward having children and living the American Dream.

I would take another road. It became painful, as the years passed, and I did not taste victory from the cup of my own pursuits, that I had possibly missed out on a rite of passage that belonged to my friends, who chose steadier and more certain paths. That I did not lean on my honors or credentials and seek the more conventional path of career and children would be a source of ambivalence and later self-doubt, as my plans did not go as expected.

Had I really chosen my destiny or would I have to wait longer to find out? I would guess your destiny is never really known until the fat lady sings and the show is over.

Crown’s Best never did win the Hambletonian. He was beaten by Mack Lobell, who turned out to be a superb horse. In the Chicago Tribune it was written:

The most dominant athlete in sport is not Orel Hershiser or Jose Canseco. Not Mike Tyson or Michael Jordan. Not even Steffi Graf. No, the closest thing we have to a mortal lock these days is named Mack Lobell, and when he is really cranked up, all four legs are off the ground simultaneously and there is this distinct impression that he really is running on air. He holds track records at nine tracks. No trotter in history has ever raced a mile faster than he-over a half-mile track, a...

There was disappointment of course. But there were never any illusions that Crown’s Best would prevail. “It was pure luck,” Dad said, “that he had come this far.”

Soon after Crown’s Best, my father bought another horse named 'Morning Glory.' There was one letter that made mention of him. But I never heard anything further, assuming the horse did not make the grade and was soon sold off.

You don’t win a long shot without making a bet. I suppose learning when to fold em’ is another lesson to heed. I was still running with no signs of slowing down. I didn't even know what the field ahead looked like. I was a very stubborn horse, wearing blinders.